![]() If you now should be afraid of choosing any colour because of its more evident complexity, take the following statement madeīy E. In most cases, theĪreas to colour are fixed geographically, which means that you only have colours to play with that build a non relocatableĬomposition. Not overpowering the map - dominant colours are all colours that contrast greatly with the surrounding. Last but not least: Is the map colour balanced – are dominant colours applied to larger areas, in relation to weak ones, Or the saturation corresponding with the numerical gradations? The colour scheme with its individual expression, does it match relatively to the content? Another question, which you shouldĪnswer positively in order to reach harmony is: Have you applied the colouring rule for showing quantities, i.e. It will let you ask the question: Have you respected the traditionally given colour conventions or is there another possibilityįor design – will this have a negative influence on the ease of communication? Necessary will be pointed out by a special colour or by a colour of the overall scheme, but with more opacity or more saturation. What does this mean, especially for cartography? Harmony relates to the overall architecture for the entire map. Colour harmony delivers visual interest and a sense of order it is a dynamic ![]() Require that we present a logical structure. Will reject under-stimulating information and the human brain rejects what it cannot organise or understand. ![]() When something is not harmonious, it's either boring or chaotic. Of order, a balance in the visual experience. It engages the viewer and it creates an inner sense In visual experiences, harmony is something that is pleasing to the eye.
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